The Information on: Rogier van der Weyden

Beatrice Hodgkin
Wednesday 31 March 1999 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

What Is It?

For its latest exhibition, the National Gallery has supplemented its collection of work by the Dutch master Rogier van de Weyden with paintings from LA's Getty Museum and the Gulbenkian Foundation in Lisbon. The highlight is The Magdalen Reading (below). In some cases, photo reproductions replace missing works in an attempt to widen the display, which also includes Pieta (right).

Who Was He?

Rather controversially, the National Gallery hails van de Weyden (1399- c1464) as the "most influential artist of the 15th century", which reflects his impact on Italian painting. While this supports the views of his contemporary critics and Florentine humanists, who revered him as a "glory among painters", such eulogising has not been the unanimous response today.

What They Say About It

"He was an incomparable draughtsman and a daring, yet subtle, painter" Richard Ingleby, The Information. "A shoddy little enterprise... it must not be taken seriously" Brian Sewell, Evening Standard. "Amazing quality of photo reproduction" Tom Lubbock, The Independent. "A little piece of genius" Charles Darwent, The Independent on Sunday. "An extraordinarily graceful and poetic figure... expressive of rapt contemplation, composure and peace" Martin Gayford, The Daily Telegraph.

Where You Can See It

National Gallery, London WC2 (0171-747 2885) to 4 Jul

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in