Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.THE ACTUAL week was to do with the New Generation Poets, but we didn't want just unfamiliar poetry. So we did go for the McGoughs, Hegleys and Zephaniahs, then we also put in Shakespeare and Shelley.
Our view was that this wasn't a poetry meeting, it is Radio 1 FM - we had to make the poems sound appropriate for the network, most obviously by putting them to music.
The music came from some composers in Bath who have worked with Peter Gabriel and who use the full range of rock music tools. They took the basic reading, put it into the sampler and just composed the music around it, using the rhythm of the poem to dictate the rhythm of the musical accompaniment.
We then had to match the poems to different shows. We thought about the broadcasters, their tone of presentation and their personality. For instance, Nicky Campbell is quite literary in his sentence construction and the references he uses are slightly more classical than, say, Steve Wright or Mark Goodier, so we gave him some Shelley and Shakespeare. The characteristic of Steve's programme is that everything lasts for 20 seconds - it's right up front - so I gave him Benjamin Zephaniah and John Hegley.
Another consideration is that, for Simon Mayo's programme in the morning, for instance, we knew that there is a slightly older, slightly larger female audience, so we selected appropriate poems such as Paul Merton reading The Jolly Hunter and Jabberwocky.
(Photograph omitted)
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments