Patrick Wolf, Koko, London
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.The last night of a tour is often a special thing, and Patrick Wolf, dressed like Lord Byron at the height of his hedonism, is clearly enjoying himself. Singing his opening notes off-stage, Wolf's almost mythological reputation among fans is amplified, and the excitement of the crowd is tangible before he emerges. Afterwards, it's overrunning.
However, what's apparent during the proceeding 17 songs is that while his more fervent disciples may view him in godlike regard, the man himself is happiest as a performer, rather than an icon. This trait, an increasingly rare commodity amongst musicians, is what enables Wolf to draw the crowd in: his witty, affable self-deprecation is engaging, like a conversation with an old friend.
Although bearing the physical clichés of an introvert – pallid complexion, individualistic dress sense, rakish thinness – Wolf is a born performer, whether at one of his many instruments or as a true frontman. His wide-ranging tenor vocals and sometimes beautiful lyrics can be either intimate or forceful; the earnest intro to '"House" and percussive chorus of "Accident & Emergency" showcase these twin specialities, although the brilliance of Wolf's voice can get lost when trying to tread the ground between tender and triumphant.
Wolf's set, however, is deftly balanced, able to mix the more personal ballads of "Godrevy Point" and "Slow Motion" with electro-pop crowd-pleasers like "The Magic Position" without breaking stride or uncomfortably changing gears at inopportune moments. Using a band which, like Wolf himself, mixes the traditional with the knowingly retro and the bitingly contemporary – sporting brass and string players as well as an effects man – the English multi-instrumentalist manages to craft a live sound in which the softer songs lilt but never drift, and the punchier numbers crackle without over-boiling.
After new single, "The City", has closed the set, the mood is ebullient: the underrated talents of Patrick Wolf have become altogether more apparent to everyone in attendance.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments