Justin Timberlake, The 20/20 Experience Tour, review

Motorpoint Arena, Sheffield

Daniel Wray
Monday 31 March 2014 16:25 BST
Comments
Justin Timberlake performs on stage
Justin Timberlake performs on stage (Getty Images)

Your support helps us to tell the story

This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.

The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.

Help us keep bring these critical stories to light. Your support makes all the difference.

Timberlake appears, in full tuxedo, under spotlight, soaking up the galvanised screams and he momentarily basks in the rapture of his own applause.

A band, The Tennessee Kids, rise from underneath the stage. They are a powerhouse, loaded with soaring backing singers, thunderous drums, euphoric brass and screeching funk guitar, they are as pristine as JT’s primed and perfected dance moves and they frequently play at floor-shaking volume.

The surging gusto that erupts from the first set-closer ‘Cry Me a River’ is enthralling.

At 33 JT still looks boyish, with a perfect Disney smile still in tact, but this tour is him smoothing over the teenybopper past and presenting himself as something more fitting for his age: as sleek and stylish, as gentlemanly and venerable.

It is a performance laden with lavishness and sexual teasing (when Timberlake gropes his crotch it sets off a tidal wave of screams). With a steady stream of “f**k’s” throughout the night, he seems to be cultivating an almost ‘loveable rogue’ aura around himself, like a James Bond of pop or a zeitgeist Sinatra.

During the second set the stage rises up and glides across the audience (to much excitement). There are covers of Elvis, Michael Jackson and even Kool & The Gang. T

The penultimate ‘Sexyback’ is a knockout and the closing ‘Mirrors’ even prompts a successful marriage proposal in the audience before Timberlake disappears into darkness once again, leaving behind a mammoth two hour-plus voyage of pop.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in