IoS album review: Wadada Leo Smith & Louis Moholo-Moholo, Ancestors (Tum)

 

Phil Johnson
Sunday 25 November 2012 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Trumpeter Smith – whose epic Ten Freedom Summers is probably the most impressive jazz recording of the year – left segregated Mississippi for the army at around the same time as drummer Moholo-Moholo joined the soon-to-be-exiled Blue Notes in apartheid Cape Town.

This free-jazz duo from a Finnish festival last year has moments where not much is happening, but the restless rhythms form a powerful contrast to Smith’s expressive smears.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in