Field Day 2014 review: Pixies play a passable headline set

 

Emily Mackay
Monday 09 June 2014 11:11 BST
Comments
Frank Black of the Pixies performs on stage
Frank Black of the Pixies performs on stage (Getty Images)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The heavens bless London’s hipster Christmas with perfect sunshine for its first year as a two-dayer, yet Sky Ferreira belts out her smart, shimmering pop from within a Gallagher-esque parka.

Blood Orange turns down the heat with his intense R&B slow jams with flashy, Princey guitar, before Neneh Cherry closes a set of dark, jazzy trip-hop with a tense, modernised version of ‘Buffalo Stance’ over on the Crack Magazine stage.

Back on the main stage, Warpaint’s expansive, sexy, bassy grooves ring out as evening falls, ceding to Jon Hopkins’s intense electronica. Closing the main stage are Metronomy, on the face of it unlikely headliners. ‘The Look’’s snappy, nervy clip and ‘Reservoir’’s dark broodings sound great, but it’s a good thing they’ve also got ‘Nights Out’-era bangers such as ‘Holiday’ and ‘Radio Ladio’.

On Sunday, Aussie weirdoes Pond make a great start with an attempt at covering Michael Jackson’s ‘Earth Song’, while Welsh boys Telegram do a niftier, wirier job of reviving psych than the pastichey Temples, on at the same time.

The crown enjoy the main Field Day stage
The crown enjoy the main Field Day stage (Field Day)

Drenge’s tightly controlled grunge ire is a sharp contrast to The Horrors, who are blissfully chilled out these days. But it doesn’t work in their favour, bar ‘I See You’, their new tracks just don’t have the energy of yore. Future Islands, meanwhile, have energy to spare, haranguing the crowd to dance to their 80s-movie goth-synth-pop.

“It’s the Pixies, playing Pixies songs,” comments a friend as we await the arrival of Sunday’s headliners. “What more could you want?” As they begin with ‘Wave Of Mutilation’, you see his point, but it’s a show only those who’ve never seen the band can get the most out of now.

The new songs are passable rather than essential, Paz Lenchantin’s backing vocals heavily underline the absence of Kim Deal, and it’s only rarely, as on ‘Something Against You’, that Frank Black’s scream hits full throttle and suggests his heart might be in it. Not to say that they’re bad - it’s just that the Pixies should be something more than serviceable.

Not that the hordes dancing away the last of the weekend to ‘Here Comes Your Man’ seem to care about such gripes, mind…

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in