Bryan Ferry and his Orchestra, Bitter-Sweet album review: Reimagined classics feel fresh and innovative
Applying a Jazz Age feel to your back catalogue is a bold move – but one the Roxy Music frontman can get away with
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Adding Twenties-style ragtime, blues, jazz and swing instrumentation to some of your best-known work may seem an odd endeavour, but it makes a lot of sense if you’re Bryan Ferry.
The Roxy Music mastermind embarks on a further exploration of his jazz influences on Bitter-Sweet, a new solo album inspired by his work on the Netflix TV series Babylon Berlin. The release comes two years after his record The Jazz Age, which consisted entirely of instrumentals; Bitter-Sweet includes eight vocal tracks.
There are reinterpretations of some classic Roxy Music cuts: “While My Heart is Still Beating”, from the English rock band’s eighth and final studio album Avalon, is given a moody makeover with the addition of sax and rigid strings that jerk back and forth with stern urgency.
The minimalist “Zamba”, from Ferry’s 1987 solo album Bête Noire, transforms the spine-tingling synths and shimmer of the original into something entirely different. Led by the piano and a soaring strings section as Ferry delivers the lyrics in a darker, hoarse whisper, the new version is just as, if not more, beautiful.
Ferry’s idea is to take the musical stylings of a golden era and apply them to some of his classics. The result should be something that feels rooted in nostalgia, but in fact these songs sound and feel as modern and innovative as they did when first released decades ago.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments