Amy Winehouse, Fleece, Bristol <!-- none onestar twostar fourstar fivestar -->

Owen Adams
Tuesday 12 September 2006 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

It's not enough to be a pop star nowadays - you have to be a victim, too. Amy Winehouse, the 22-year-old Jewish Londoner with the smoky voice of a mature African-American jazz singer, has gone from being a curvy teen to, reportedly, an emaciated fitness addict.

But Winehouse looks well - she is no poor-me celeb locked into her own warped reality. "Try to make me go to rehab/I say no, no, no," she sings on her new single, "Rehab", out next month.

It's been nearly three years since Winehouse's debut album, Frank. She was nominated for a Brit and the Mercury, and became a platinum-seller alongside rising stars such as Norah Jones, Katie Melua and Joss Stone.

Winehouse is streets ahead in the keeping-it-real stakes. She has won an Ivor Novello award for her witty lyrics, which deal with the everyday life of a feisty young madam. "I'm not a nice girl," she tells us tonight.

Her new material casts off the jazz eiderdown and delves into the sounds of Sixties girl-groups and Stax soul. Winehouse still has her trademark low-moaning timbre, but it is swept along on a contagious wave of Motown stomp.

The trumpeter and sax player provide soul horns, and the bow ties and flat caps worn by her backing singers are styled after The Temptations. You can check the Supremes-like intro on her new album's title track, "Back to Black", while "Addictive", in which she lays into a lover for smoking all her weed, has a Booker T feel.

She messes up from time to time, but shrugs it off nonchalantly and humorously. She seals it with the kiss-off: "You're excellente, like Ferrero Rocher." How can you resist?

A version of this review has already appeared in some editions of the paper

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in