Albums of the year: Rock & Pop

'Without a doubt, M.I.A. released the most original album of 2007'

Luiza Sauma
Sunday 30 December 2007 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

2007 was the year in which being a walking car crash was mistaken for being a genius, while singing like Dick Van Dyke became de rigueur. Scratch under the surface, however, and there was plenty of treasure for everyone.

Arcade Fire's follow-up to their stunning first album was always going to disappoint, but Neon Bible was actually a pleasingly grandiose, Springsteen-esque affair. Meanwhile, M.I.A. deserves some kind of prize for Kala, which cannibalised musical styles from every continent on earth without ever losing its sense of humour. Without a doubt, it was the most original album of 2007.

Further underground, Panda Bear broke away from Animal Collective once more to release his dreamily beautiful Person Pitch, which, on the face of it, was recorded in outer space with Brian Wilson. One of the best albums of the year was also the most unassuming. Herman Dne might pretend they're just a bunch of hairy anti-folk chancers, but they're not fooling anyone. Their loveable eighth album Giant sounds like Paul Simon and Jonathan Richman having a tropical percussion party, full of funny lyrics and perfect songs.

Early in the year, James Murphy, aka LCD Soundsystem, struck gold with the shimmering masterpiece that was Sound of Silver. Was is rock? Was it dance? Does it matter? The album harnessed the very best elements of both genres it rocked and you could dance your socks off to it. Album of the year, hands down.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in