Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.For UK ears battered by the aggressive beats of jungle and garage, there's something warm and inviting about the relaxed, slinky rhythms of Mr Bongo's third compilation of modern Brazilian grooves. Reacting to the airwave dominance of Anglo-American rock, locals have revitalised the old samba-pop tradition to effect a renaissance equivalent to the Tropicalismo movement of the Sixties and Seventies. Figures such as the one-time street-urchin Seu Jorge, represented here by the laid-back "Chega No Suingue", and the former soap star Pedro Martins, of the balanca group Bazeado, are the inheritors of the mantle of such as Jorge Ben and Caetano Veloso, their streetwise lyrics swept along by more contemporary variants on the samba rhythms. In the case of Bazeado's "Maria", the percussion bed is studded with staccato vocables and driven by striding funk bass, swinging along like a chimpanzee on crack. Despite the reliance on similar beats, there's a surprising range in styles. At one extreme, the producer Max De Castro brings a suave, Steely Dan sophistication to the Latin-jazz arrangement of Paula Lima's "E Isso Ai". From a different direction, Jackson Do Pandeiro's "Sebastiana" is an invigorating shuffle of accordion and small guitar, suggestive of a more folksy, rural tradition. The most likely track to find favour with British audiences is Ive Mendes's "A Beira Mar", whose gossamer scat and skimming samba comes book-ended with lapping waves. But the whole album is so suffused with sunshine and smiles, it brings a warm glow to the chilliest outlook.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments