Album: Various Artists

War Child: Hope, London

Friday 18 April 2003 00:00 BST
Comments

Your support helps us to tell the story

This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.

The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.

Help us keep bring these critical stories to light. Your support makes all the difference.

The first War Child benefit compilation raised more than £1m for Bosnian children back in 1995. Its curator, Brian Eno, lent a unity of purpose to the proceedings by having all the performers record their tracks on the same day. This Iraq-targeted follow-up has no such superstructure, and is thus more subject to the familiar charity-album drawback of overextensive variety. It does, however, have a surprisingly high quotient of decent tracks. Most contributors opt for covers of simpatico songs, with Avril Lavigne coming over all Dolores O'Riordan on "Knockin' on Heaven's Door", New Order putting their own stamp on Jimmy Cliff's "Vietnam", and The Charlatans' Tim Burgess affecting a reasonable impression of Curtis Mayfield's falsetto on "We Gotta Have Peace". Two covers are particularly impressive: George Michael's reading of Don McLean's lament "The Grave" is impassioned and tasteful, while Beverley Knight gives a tour-de-force vocal display on her cover of Stevie Wonder's "Love's in Need of Love Today". Of the new material, Billy Bragg offers a prescient but dour updating of "With God on Our Side" in "The Wolf Covers Its Tracks". "The Beautiful Occupation", meanwhile, is about as bitter and sardonic as Travis are ever likely to get; the strongest track, though, comes from Blue's Lee Ryan: his "Stand Up as People" has the infectious simplicity of the great protest anthems.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in