Album: Thea Gilmore, Liejacker (Fullfill)

Nick Coleman
Sunday 25 May 2008 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Thea Gilmore is an old soul. She goes, oooh, all the way back to the Seventies. We shouldn't be surprised that she's looking for old souls too: she sounds like a nice woman of heart, spirit and the desire to sail in Tom Waits's wind.

Not all her writing sings, though, so it's good that her voice does. Where the writing is sometimes conspicuously wrought, her voice seldom is. It's a beautiful, unaffected instrument and when it isn't pushing its envelope, it conveys a subtle wisdom of heart. It's certainly well-served by a set of stripped down small-ensemble arrangements, which fit her like grey gloves. Good record, lovable in parts.

Pick of the Album: 'Old Soul': listen to her heart...

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in