Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.With the departure last year of final founder member Keisha Buchanan, Sugababes finally slipped from being a band to a brand.
And in the ruthless manner typical of that brand, incomer Jade Ewen had soon replaced all of Buchanan's vocals recorded for Sweet 7 save for the single "Get Sexy" – but then, this is the group which once replaced an entire album of Mutya Buena's vocals a year after the original release of Taller In More Ways when she left, so what should we expect? The problem is that this policy of replenishment has eroded both the trio's character and its appeal, with 2008's Catfights & Spotlights being the poorest-selling album of Sugababes' career. That spiral looks set to continue with Sweet 7, which seems a far cry from the girls' Dallas Austin/Xenomania heyday: for all the involvement of new writers and producers such as Red One, Stargate and The Smeezingtons, there's nothing here with anything like the adhesive, infectious quality of "Push The Button". Mostly, it's just generic disco stompers like "Wait For You" and the vacuous "About A Girl"; and even the better tracks, such as "Get Sexy" and "Wear My Kiss", practice a craven form of extreme self-objectification, which in the latter finds them effectively subjugated to the status of accessories, as they compare themselves to the tie, watch or shoes with which a man completes his outfit.
Download this Get Sexy; Wear My Kiss
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments