Album: Röyksopp

The Understanding, WALL OF SOUND

Friday 01 July 2005 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

With this follow-up to Melody AM, Torbjorn Brundtland and Svein Berge effectively establish themselves as the Scandinavian equivalent of Air. This is not necessarily a good thing, as The Understanding is every bit as gossamer and insubstantial as the French duo's output has been since their own debut. Tracks like "Dead To The World" and "Alpha Male" are little more than hip muzak, the grimly methodical arrangements making the scaling of the most insignificant musical peaks seem like a great achievement, while the more active "Circuit Breaker" scuttles nowhere fast. The vocals don't help, being mostly murmurs intended to offer as little disturbance as possible to the tracks' hyper-logical progress. They may mumble something about being "lost in confusion" in "Only This Moment", but confusion is the quality in shortest supply on The Understanding. When Karin Dreijer sings of "flashlights, nightmares, sudden explosions" in "What Else Is There?", it's hard not to be struck by how absent such excitements are from the plodding arrangement. Elsewhere, one strains to find a notable element or two which might bring a little enduring character to what are essentially lifeless compositions. Coming soon to a lift near you.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in