Gilmore returns from the maternity ward to deliver a batch of songs pregnant with metaphor and abstraction, and a soft new production gloss.
She’s good, Thea, and full of heart – the English singer-songwriter as artful, talented but unresolved journeywoman. Her voice is a lovely instrument and the sentiments it expresses are thoughtful and often wise. But the strings which dominate the soundscape here suck at its liveliness. The search goes on
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments