Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Like Marlowe and Caravaggio, Carlo Gesualdo is an artist whose work is given an unnecessary added frisson by the murkier circumstances of his private life – in the case of this 16th-century Italian nobleman, the double murder of his adulterous wife and her lover, the Duke of Andria.
It's difficult to square this savage melodrama with the sublime poise and gentle character of Gesualdo's Tenebrae Responsoria. The cycle of nine “Responsories” is here programmed alongside his contemporary Tomás Luis de Victoria's equivalent Lamentations for Holy Saturday, all performed with typical grace and poise by Nigel Short's Tenebrae.
Download: Responsorium I, V, VI, VIII; Lectio III
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments