Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Bill Callahan's follow-up to 2011's gorgeous Apocalypse finds him in the company of a small, discreet band, whose gentle shuffles are coloured mostly by guitar, fiddle and flute, as his muse flits haphazardly about him. A line from “Spring”, “My eyes are still forming the door that I'm walking through”, suggests the extempore writing style that ties these songs so loosely together. Pastoral metaphors predominate, the relationships of eagle and seagull with river and sea contrasted with the human arcs described in “Javelin Unlanding” and “Ride My Arrow”. Ultimately, Callahan ends up heading for home in “Winter Road”, faith in his muse confirmed again: “I have learned to just keep on when things are beautiful”. As they so often are here.
Download: Javelin Unlanding; Ride My Arrow; Seagull; Winter Road
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments