Album: Randy Newman
The Randy Newman Songbook Vol 1, Nonesuch
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Randy Newman's debut release for Nonesuch is the first of a projected three-volume retrospective of his repertoire, re-recorded by the songwriter to the sole accompaniment of his piano. As such, it echoes his 1971 live album, except that where those earlier renditions of classics such as "Living Without You" and "I Think It's Going to Rain Today" were hurried and abrupt, almost as if Newman were embarrassed at his own presumption in appearing before an audience, these versions are leisurely and assured, the work of an artist more at ease with his reputation. The difference is clear from the opening track, "It's Lonely at the Top", the double-edged musing upon celebrity which concluded Randy Newman Live: here, the tone is less acidly cynical and more reflective and mature. But his trademark sardonicism has not been totally cauterised: the equal-opportunity agnosticism of "God's Song" - in which the deity rains lofty contempt upon believers of all faiths - is still bitterly effective, while "Political Science" is even more pertinent, with its satirically dismissive, US-yahoo view of the rest of the world. The latter is Newman playing devil's advocate (as on the slaver's entreaty "Sail Away", the bullish "Rednecks" and the self-explanatory "It's Money That I Love"), which hindered his acceptance at a time when earnest sincerity was the hallmark of singer-songwriter values. But as "Living Without You" and "I Think It's Going To Rain Today" demonstrate, he has always been capable of writing poignant, tender, painfully introspective songs.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments