Album: Nerina Pallot

Dear Frustrated Superstar, Polydor

Friday 17 August 2001 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The latest in a lengthening line of female singer-songwriters, the Jersey girl Nerina Pallot has been compared to the likes of Tori Amos and Alanis, although vocally she resembles more the powdered poise of Mary Hopkin, with a persistent piping quality whose appeal soon wears thin. Musically, there's an oddly characterless cast to this debut, whose slick Bob Clearmountain mixes are aimed firmly at American radio. While she makes a few stabs at the usual targets – ungrateful former lovers ("If I Know You"), human fallibility ("God"), her own attraction to bad guys ("Jump") – the bulk of the album seems to be about Nerina's own ambition, which is clearly formidable, if not always entertaining. Track after track finds her fretting about her lack of success and how unfulfilled she feels: "I watch my friends get bigger and get better," she sings in the single "Patience", "but I'm not bitter: I want it all." Even a song such as "Rainbow", an airhead invocation to "shine your colour like the rainbow" (whatever that entails), starts with a moan about how "everything I do just takes so long." The title track encapsulates her sheer terror of remaining unknown, while "Watch out Billie" offers patronising advice to fellow wannabes less gifted than herself – a situation much more ironic than anything Alanis Morissette would recognise as such.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in