Album: Mike Hart, Mike Hart Bleeds (Dandelion/Cherry Red)

Andy Gill
Friday 28 November 2008 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

In the late Sixties, Mike Hart was a member of The Liverpool Scene, the poetry and music collective that had guitarist Andy Roberts and poet Adrian Henri as members.

Though seemingly the best-equipped for solo success, with songs marrying emotional themes to singalong hooks, Hart's unreliability and fondness for alcohol ultimately torpedoed his chances – but not before he recorded a couple of albums, the best being this solo debut for John Peel's Dandelion label in 1969. The gallows humour of the title is typical of the self-mocking, Lennon-esque tone of bruised sincerity underpinning most of his songs, which are ripped from the pages of his personal life: in the heartbreaking "Arty's Wife" he reflects, perplexed, on the cooling of his ardour for his spouse (the woman whose defaced visage accompanies Hart's on the cover).

"Yawny Morning Song" and "Disbelief Blues" ape Dylan's electric style, and references to Harold Wilson, Ian Smith and the Aberfan disaster date some tracks, but the mood of abandonment and distraction remains powerfully affecting. With highlights such as "Arty's Wife" and "Almost Liverpool 8" augmented by Scene highlights like the single "Son, Son" and the bittersweet odes "Palms" and "Gliders and Parks", this is a welcome reminder of a significant pop talent.

Download this: 'Arty's Wife', 'Almost Liverpool 8', 'Gliders and Parks', 'Son, Son', 'Palms'

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in