Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.The 10 songs on Neptune apparently reflect the last 10 years of Eliza Carthy's life, as she moves between relationships and confronts the duties of maturity.
Accordingly, the drunken wreck of the opening "Blood on My Boots" is replaced, by album's end, by the sad mother of "Thursday", distraught at having to leave her own child to go on the road, as happened to her as an infant. But musically, she strays a little too far from her folkie comfort-zone, with varied results: the rumba-rock of "War" is fine, but the reggae groove of "Monkey" is too stilted. Elsewhere, "Britain Is a Carpark" effectively reprises the theme of "Big Yellow Taxi", but without the charm, while its alternating between bustling brass traffic and a cappella invocation of "the oak and the ash and the ivy" is too clumsy an evocation of the age-old conflict between urban and rural.
DOWNLOAD THIS Thursday; War; Blood on My Boots
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments