Geldof has, it seems, found a novel way of composing songs which may or may not be popular or sell well: imitate other people's.
The songwriting talent which gave us "Diamond Smiles" and "Rat Trap" having evaporated, he opts instead for pastiche and plagiarism: of Lovin' Spoonful ("How I Roll"), of George McCrae ("Silly Pretty Thing"), of CSN&Y ("Blow") and of Lennon ("Here's to You"). It's coated in a layer of pseudo-authenticity, but ultimately it's a record which aims for Bo Diddley or Johnny Cash and merely attains Dire Straits.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments