Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

This Kanye West - Queens of the Stone Age mash-up album actually kind of works

I wanna make it wit Barry Bonds...

Christopher Hooton
Tuesday 08 December 2015 15:56 GMT
Comments
(ToTom)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Most budding producers limit their mash-ups to one song.

For instance there’s the surprisingly cohesive “Psychosocial Baby” (Slipknot x Justin Bieber), the pumping “Stayin’ Alive” - “Hot In Here” crossover (The Bee Gees x Nelly) and the incredibly haunting collision of the Twin Peaks theme and Britney’s “Everytime”.

French producer ToTom went the whole hog though, making an entire album of Kanye West/Queens of the Stone Age hybrids.

Most of the tracks work really well, sound a little like N.E.R.D, a little like what Yeezus would have sounded like if all the synth parts had been played on guitars with heavy distortion.

“Jesus Walks with the Flow” is a highlight, along with “Get the Millionaires High”, though the stand-out is definitely “Make It Wit Barry Bonds”, a damn fine song in its own right.

My only regret is that ToTom didn’t include a little of Josh Homme’s vocals or a little of Kanye’s production, but still - a solid effort.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in