It's not just Jay-Z and Kanye West: The beatification of hip-hop
The Holy Grail? Yeezus? Why are rap’s power players obsessed with religious allusions? Gillian Orr takes a pew
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.During game five of the NBA finals series on Sunday night, which saw Miami Heat’s “saviour” LeBron James fail to keep the San Antonio Spurs from taking the lead, another self-proclaimed Messianic figure, Jay-Z (or J-Hova), decided to surprise fans by dropping details of his new album, due out at the beginning of next month.
The hip-hop mogul used a three-minute advert to announce the arrival of Magna Carta Holy Grail, a preposterously titled record, and one whose pomp is probably only bettered by Kanye West’s forthcoming album Yeezus, a portmanteau of West’s nickname Yeezy and, well, Jesus. Jay-Z’s record is being launched with the help of Samsung, the Korean technology giant that has paid $5m to give the record free to one million Samsung Galaxy phone users.
The religious allusions are provocative, sure, but this is hip-hop, where most of the big players have a God complex, or at least a son of God complex. From 2Pac’s album, The Don Killuminati, which featured an image of the rapper being crucified on its cover, to Nas’s record, God’s Son, religious allusions and iconography permeates the genre. The most dropped name in hip-hop isn’t Courvoisier or Armani, it’s Jesus Christ. But what’s with the obsession with comparing themselves to these higher powers?
“It’s a combination of things”, says DJ Semtex, who presents the Friday night hip-hop show on Radio 1Xtra. “All these artists are religious to a certain extent and have spent a lot of time in church, so it’s something they’ve grown up with. And then it’s that hip-hop mantra about being the best. Even battling is about trying to outdo each other, so these bigger and more powerful names are just an extension of that. It’s not supposed to be disrespectful. It’s part of the culture of hip-hop.”
But for a genre that is regularly accused of materialism and misogyny, such religious proclamations might appear jarring. Often it seems that any grandiose word – king, throne, god, sinner, scripture – is simply thrown in, whether it makes sense or not. Kanye might call his album Yeezus but then it features a song called “I Am a God” (“I am a God/ Hurry up with my damn massage”). So which one is it, Kanye?
And though Magna Carta sounds like a grand reference point, we’re not sure quite how a document signed in Runnymede, which served to limit the English king’s power and provided the basis for the rule of law, fits in with a mystical salver. Perhaps Jay is just looking for ways to wind up the ridiculous conspiracy theorists who are convinced the rapper is part of a global conspiracy. God maybe. Illuminati, probably not.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments