Classical Music Replay: Peter Dawson: Songs and Arias Various accompanists (Recorded: 1925-1939) (Memoir Classics CDMOIR 434)

Robert Cowan makes his pick of the latest reissues

Robert Cowan
Thursday 08 August 1996 23:02 BST
Comments

Your support helps us to tell the story

This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.

The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.

Help us keep bring these critical stories to light. Your support makes all the difference.

Those who think of Kiri's Gershwin, Jose's Bernstein or Jessye's Cole Porter as gimmicky may or may not know that the operatic stars of an earlier era - Gigli, Melchior, Tauber, Traubel, Pinza, Ponselle, etc - could "lighten the tone" with equal relish. The Australian bass-baritone Peter Dawson, a would-be industrialist who won a singing contest while still young, was another. The voice itself is big, firm and skilfully employed, whether in the tender lyricism of "The Cobbler's Song" or the chuckling high spirits of Katie Moss's "The Floral Dance".

Pre-war, "classical" and "popular" songs were closer in style than they are nowadays, hence Elgar's "O My Warriors" (Caractacus) inhabits a Romantic musical climate that's similar to Love Could I Only Tell Thee and She is Far From the Land. Dawson's operatic credentials are finely displayed in a superb "O Ruddier than the Cherry" (Handel's Acis and Galatea), though Iago's "Credo" (Otello, sung in English) sounds about as evil as a friendly village Bobby. Still, one listens to Dawson primarily for his magnificent voice, wholesome characterisations and interpretative sincerity, virtues that inform every one of these 23 tracks.

The transfers (by Michael Dutton) are quite superb - and, yes, Waltzing Matilda is included!

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in