Music; Bananas Purcell Room, SBC, London
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.It was, you might say, a Fyffes-and-drum evening. Shiva Nova, the percussion-heavy, cross-cultural ensemble that mixes improvisation and composition, put together a show on the theme of bananas. It even included pre-concert cookery, which I missed, but the performance itself blended enough ingredients for a banquet. At its centre was an ornate banana tree. At the rear of the stage, bananaesque images filled two screens: on one, stills of exotic locations; on the other, movie footage, in black and white by John Grierson, father of British documentaries, and in colour by Tony Hill. An invitation to contemplate the role of the banana in the history of imperialism, or touristic travelogue?
Shiva Nova's line-up changes according to requirements, but the flutes of Nancy Ruffer, the cello of Neil Heyde and the sitar of Dharambir Singh remain more or less constant. Here they were joined by artistic director Priti Paintal at the keyboards, Jesse Banister on sax and Aubrey Bryan, Anusman Biswas and Alex Pascall on percussion. The music grew from a small melodic and rhythmic cell, planted at the outset and allowed to develop in response to ideas it generated, and to the evening's non-musical activities.
At certain moments, Pascall stood up to deliver a sequence of Anansi (spider) tales, stories linking African and Caribbean cultures. He has a capacious personality and his voice moves easily between speech and song so that music and narration fused organically, one particularly exuberant inflection spinning a thread which the sitar wove into the musical fabric. Elsewhere cello or flute expanded this or that phrase, in the manner of the American Beats' jazz-and-poetry collaborations. Sadly, while Pascall's voice was innately musical, his storytelling was off-hand.
The Gandini Juggling Project provided more effective counterpoints, objects flying in and out of Sean Gandini and Kati Yla-Hokkola's hands like so many notes in the air while arms and bodies intertwined with sensuous wit. One dance with giant bananas alluded to the fruit's sexual qualities and, as the concert neared its climax, the music became more fiercely propulsive, more extravagantly sinuous, inducing a kind of synaesthesia where it was impossible to separate what we saw the jugglers doing from what we heard the musicians playing. Perhaps this was the narcotic effect bananas were once said to possess. At any rate, Shiva Nova's unlikely culino-musical collaboration paid off. On my way home, I almost slipped on a banana skin: a remnant of the cookery demonstration, or hasard objectif?
Further performances 1.30pm / 8pm, 16 May (0171-960 4242)
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments