Letter: The sitcom blues

Simon Hardeman
Monday 08 February 1999 00:02 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Sir: ITV's recruitment of a "US sitcom guru" (report, 4 February) is their latest insult to home-grown comedy writers and an implicit admission of the failure of the network's own commissioning staff.

Britain has a proud tradition of original comedies driven by one or two writers, some of them even transferring successfully to the home of "guru" Tom Carsey. In addition, while the US may produce some excellent programmes, it also produces an ocean of dross. It is our fortune that we only see the few shows which float to the top of this vast reservoir of effluent.

Frankly it is scandalous that, instead of being able to trust their own judgement and feed new British writers a few hundred pounds of seed corn money to develop an initial script, ITV companies prefer to let our ideas rot in favour of spending a fortune on patronising, second-hand advice.

I could, at the drop of a hat, produce a list of new home-grown writers with original ideas and genuine ability, all of whom have proved themselves in live comedy, radio, or smaller scale TV. Last year, at one of London's highest-profile fringe venues, I organised an evening of new sitcoms. Not a single commissioning editor came. By contrast I wonder how many expenses-paid junkets to Los Angeles it took to sign Mr Carsey.

SIMON HARDEMAN

London E8

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in