The Legend Of Barney Thomson, film review: Emma Thompson steals the show in wry comedy

(15) Robert Carlyle, 96 mins. Starring: Robert Carlyle, Emma Thompson, Ray Winstone

Geoffrey Macnab
Thursday 23 July 2015 23:39 BST
Comments
Robert Carlyle and Emma Thompson in The Legend Of Barney Thomson
Robert Carlyle and Emma Thompson in The Legend Of Barney Thomson

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Robert Carlyle's debut feature as a director is galvanised by a brilliant comic performance from Emma Thompson as the hapless hero Barney's formidable, chain-smoking, fur-coat-wearing harridan of a mum. Imagine Dame Edith Evans crossed with Rab C Nesbitt and you'll come close to Cemolina. A former prostitute in her 70s, she is strident and domineering; she loves bingo but has a dark side.

Carlyle is in engagingly forlorn groove as Barney, the put-upon barber who doesn't have any patter to keep his customers happy and whose life, at least at the start of the film, is dull in the extreme.

This is a wry comedy with a morbid plot that includes mass murder and bodies chopped up. Sometimes, the tone wavers. The combination of violence with tongue-in-cheek humour and picture-postcard scenery doesn't always work. A subplot involving incompetent police risks becoming strained. By far its most vivid presence, Thompson steals the movie.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in