The Green Prince, film review: Cinematic documentary is fascinating but frustrating

(15) Nadav Schirman, 99 mins

Geoffrey Macnab
Friday 12 December 2014 01:00 GMT
Comments
Mosab Hassan Yousef and Gonen Ben Yitzhak in the documentary ‘The Green Prince’
Mosab Hassan Yousef and Gonen Ben Yitzhak in the documentary ‘The Green Prince’

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Depending on your perspective, Nadav Schirman’s troubling documentary is either a story about heroism and friendship or a study in extreme treachery and bad faith.

Produced by the team who made The Imposter, it is shot in self-consciously cinematic fashion, as if it is a noirish thriller. The two central characters are the Israeli Shin Bet agent Gonen Ben Yitzhak and his prize recruit, “The Green Prince”, Mosab Hassan Yousef. Mosab is the son of Sheikh Hassan Yousef, one of the founders of the Palestinian Islamic resistance movement Hamas.

The informer informs us right at the start of the documentary that for a Palestinian, collaborating with Israel is far more shameful than “raping your mother”. Nonetheless, he becomes an agent for Israeli intelligence (ostensibly because he wants to save lives) and forms an increasingly close bond with his Israeli handler, who shows an unexpected loyalty to him.

Like the con-artist in The Imposter, Mosab is continually living a lie, dissembling to his own family and inventing cover stories. Given that Shin Bet is a “dark organisation” and so much double bluffing is going on, it is hard to know how much to trust either of the two main interviewees. The result is a film that is fascinating but also very frustrating. The beautiful friendship between Gonen and Mosab is anything but innocent or straightforward.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in