Life, film review: Anton Corbijn is more interested in James Dean's look than his psychological make-up

(15) Anton Corbijn, 111 mins. Starring: Robert Pattinson, Dane DeHaan, Joel Edgerton

Geoffrey Macnab
Saturday 26 September 2015 12:56 BST
Comments
Aloof: Dane DeHaan and Robert Pattinson in Life
Aloof: Dane DeHaan and Robert Pattinson in Life

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Life is a listless biopic that doesn't even try to capture the neurotic intensity of James Dean as a young actor. It tells the story of the 1955 Life magazine photo shoot for which the photographer Dennis Stock shot images of the 24-year-old in New York and then accompanied the star on what turned out to be his last trip home.

The director Anton Corbijn, a photographer himself, is more interested in the look of Dean than in his psychological make-up. Dane DeHaan delivers an appealing but aloof performance as the preening actor. Robert Pattinson's Stock looks as much like a movie star as DeHaan's Dean, but he captures well the idealism and opportunism that drives Dennis to pursue Dean so doggedly.

Yet the film's portrayal of such figures as Nicholas Ray, Elia Kazan, Eartha Kitt and Natalie Wood is sketchy and often grating.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in