Get Hard, film review: Tackling social and racial taboos with goofy, grindingly unfunny inanity

(15) Etan Cohen, 100 mins Starring: Will Ferrell, Kevin Hart

Geoffrey Macnab
Friday 27 March 2015 01:00 GMT
Comments
Strained laughs: Will Ferrell and Kevin Hart in Etan Cohen’s inane buddy movie ‘Get Hard’
Strained laughs: Will Ferrell and Kevin Hart in Etan Cohen’s inane buddy movie ‘Get Hard’ (Patti Perret /AP)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

As economists such as Paul Krugman tell us, America leads the world in income inequality. At least droopy buddy movie Get Hard is willing to look at the social and racial divisions that other film-makers treat as taboo.

Will Ferrell is as likeable as ever, playing a character not so far removed from the Ron Burgundy archetype. This time, he's not a TV anchorman but a Wall Street Master of the Universe confronted with the prospect of 10 years in prison for fraud.

Kevin Hart is the struggling black businessman running a car-wash company who tries to teach him the "badass" life skills he needs to survive in jail. The film has been accused of racism but its real problem is goofy, grindingly unfunny inanity.

The director Etan Cohen neither gets the best out of his two leads nor manages to give his story much of a satirical or political kick.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in