Film review: The Selfish Giant - grim stuff, but the kids are all right

Dir. Clio Barnard. Starring Conner Chapman, Shaun Thomas, 91mins (15)

Laurence Phelan
Thursday 24 October 2013 15:55 BST
Comments
Hard times: Conner Chapman and Shaun Thomas star in Clio Barnard’s Dickensian 'The Selfish Giant'
Hard times: Conner Chapman and Shaun Thomas star in Clio Barnard’s Dickensian 'The Selfish Giant'

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Nominally "inspired by" Oscar Wilde's children's story of the same name, but having a more Dickensian fascination with social deprivation and squalor, The Selfish Giant is about two lads on a dilapidated Bradford housing estate who get excluded from school, and begin stealing metal and riding horses for a local gypsy scrap merchant.

It is proudly in the British social-realist tradition, alongside the films of, for example, Ken Loach. And, as in Loach's 1969 film Kes, which was also set in Yorkshire, and was also about being young and impoverished and written off in life, there is an offer of momentary escape and companionship from the animal kingdom.

But The Selfish Giant is a far grimmer, less hopeful – and, concomitantly, less heartbreaking film. The untrained young actors (Conner Chapman, Shaun Thomas) lend it lots of youthful vigour and energy.

But there was never any chance of a redemptive or happy ending. That miserable, self-seeking hopelessness, the film suggests, is what poverty in modern Britain looks like.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in