Film reviews
Timothée Chalamet’s Bob Dylan biopic plays too safe
There’s something a touch too uncrumpled about the ‘Dune’ star here, in a movie that lacks the required bite
The animated Lord of the Rings is a rushed money-grab
Every possible franchise callback seems jammed into this anime film, which was fast-tracked into production to prevent studio New Line Cinema from losing the rights to JRR Tolkien’s work
The animated Lord of the Rings is a rushed money-grab
Every possible franchise callback seems jammed into this anime film, which was fast-tracked into production to prevent studio New Line Cinema from losing the rights to JRR Tolkien’s work
Wallace and Gromit is rib-tickling proof newer isn’t always better
All hail the return of Feathers McGraw, a villain of silent malevolence equal to Hannibal Lecter
Wallace and Gromit is rib-tickling proof newer isn’t always better
All hail the return of Feathers McGraw, a villain of silent malevolence equal to Hannibal Lecter
Ian McKellen is too good for the overstuffed period drama The Critic
Gemma Arterton and Lesley Manville co-star in a film that fails to truly grapple with any of the interesting themes floating around Patrick Marber’s screenplay
Ian McKellen is too good for the overstuffed period drama The Critic
Gemma Arterton and Lesley Manville co-star in a film that fails to truly grapple with any of the interesting themes floating around Patrick Marber’s screenplay
Does Twisters blow? Quite the opposite, in fact
Daisy Edgar-Jones and Glen Powell are the charismatic leads of a sharply edited, comfortingly old-school affair
Does Twisters blow? Quite the opposite, in fact
Daisy Edgar-Jones and Glen Powell are the charismatic leads of a sharply edited, comfortingly old-school affair
Léa Seydoux’s The Beast is a mesmeric blend of sci-fi and horror
The works of French filmmaker Bertrand Bonello are designed to provoke – and this time-hopping drama, co-starring George MacKay, is no different
Léa Seydoux’s The Beast is a mesmeric blend of sci-fi and horror
The works of French filmmaker Bertrand Bonello are designed to provoke – and this time-hopping drama, co-starring George MacKay, is no different
