Film review: Jack the Giant Slayer (12A)

 

Anthony Quinn
Thursday 21 March 2013 19:30 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Perhaps "Jack and the Beanstalk" sounded a bit tame, and "Jack the Giant Killer" a bit bloodthirsty.

This CGI-led adventure reprises elements of both fairytales and, a few wobbles aside, makes a decent fist of it. At first we appear to be in a Blackadder-ish tale of twinned destinies.

Farm boy Jack (Nicholas Hoult) risks life and limb to follow on-the-lam princess Isabelle (Eleanor Tomlinson) up the monstrous beanstalk that has sprouted into the clouds, where there might be giants...There are creaks in setting it up – magic beans, larcenous monks, unlikely encounters – but once the rescue mission is underway and Stanley Tucci's treacherous tyrant prepares his dastardly plan, the film's spell takes hold.

The giants are pretty scary, especially the two-headed grotesque voiced as an Ulster hardman by Bill Nighy, and the battle scenes recall both The Lord of the Rings and Beowulf. These monsters really do tear up trees and use them as missiles.

As the estuary-accented Everyboy, Hoult is fine – his Jack is "not wildly keen on heights" – and perhaps complements Ewan McGregor's patrician knight better than he does the bland princess.

With its third-act chase and siege to the fore, it actually ends more strongly than it starts.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in