Film review: Baird's scabrous tale Filth is fuzzy in the head

Dir. Jon S Baird. Starring James McAvoy, Eddie Marsan, 97mins

Laurence Phelan
Thursday 03 October 2013 21:56 BST
Comments
Primal scream: James McAvoy plays a policeman having a breakdown in 'Filth'
Primal scream: James McAvoy plays a policeman having a breakdown in 'Filth'

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Upon its publication in 1998, shortly after the adaptation of Trainspotting had made him a literary sensation, Irvine Welsh's scabrous and quite disgusting novel Filth seemed like a perverse attempt to write something unfilmable. For what it's worth, 15 years on, this diluted adaptation suggests that he succeeded.

James McAvoy does his best to overcome his innate likeableness but is still miscast as Detective Sergeant Bruce Robertson: a corrupt, coke-snorting, prostitute-visiting, irredeemably unpleasant character who makes Harvey Keitel's Bad Lieutenant look like Juliet Bravo.

The director Jon S Baird favours exaggerated close-ups and off-kilter compositions, to better describe Robertson's fracturing psyche – but the incoherent storytelling does it just as well. The tone suggests that he's playing for laughs that just aren't forthcoming.

And unfortunately, he doesn't have Danny Boyle's knack for making a low-budget film look polished. So while Filth is probably still the second best film of an Irvine Welsh book, it's far closer to The Acid House and Ecstasy than it is Trainspotting.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in