Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Watch the short film that would become Whiplash

'Not quite my tempo'

Christopher Hooton
Tuesday 03 March 2015 15:52 GMT
Comments
Beat down: as a sadistic music teacher in 2014’s 'Whiplash'
Beat down: as a sadistic music teacher in 2014’s 'Whiplash'

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Did you wonder why Whiplash was nominated for Best Adapted Screenplay rather than Best Original Screenplay at the Oscars?

That's because director Damien Chazelle originally conceived it as a short film, which focused in on one of the eventual film's best scenes - Neiman's trial by fire in studio band.

The rehearsal room was different and not lit as gorgeously, the soundtrack was yet to get its sparkling precision, Johnny Simmons played Neiman before being replaced by Miles Teller and the dialogue is a little different, but apart from that not a huge amount was changed.

JK Simmons plays Fletcher with the same intensity (and black t-shirt and hat combo), his signature 'stop' hand signal and "not my tempo" were already there and a lot of the visual cuts are the same.

Watching the 17-minute film it's easy to see why it excited producers into giving the film a full feature-length run time and how early on Simmons had the Oscar-winning role nailed.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in