Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Richard Curtis says he would ‘write different movies’ after Black Lives Matter and Me Too movements

Screenwriter has been reflecting on whether his Nineties films stand the test of time

Ellie Harrison
Friday 03 July 2020 09:05 BST
Comments
Hugh Grant's Love Actually dance scene

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Richard Curtis, the prolific screenwriter behind Love Actually and Four Weddings and a Funeral, has said he would write “different” films in today’s political climate.

The three-time Bafta-winner was talking about the shift in social attitudes that has come in the wake of the Black Lives Matter and MeToo movements when he made the comments on Newsnight.

When asked by presenter Emily Maitlis if he is looking back at his films, which were hugely popular in the Nineties, to see whether they stand the test of time, Curtis said: “I think I would write different movies now. Things do change and that is what is exciting about a moment like this.”

He added: “We are all recalibrating, we are all thinking about things in different ways. We have a really impatient younger generation who’s focusing on things that I never focused on. You know, I’m hopeful.”

Curtis’s films have been criticised in the past for their lack of diversity – especially Notting Hill, which had a majority white cast despite being set in one of the most multicultural areas in London.

Bridget Jones, too, has not aged well, with the behaviour of Hugh Grant’s character Daniel Cleaver being deemed as workplace sexual harassment by many viewers.

Numerous TV shows and films have been put under the microscope since the resurgence of the Black Lives Matter movement, with Peep Show, Little Britain and Gone With the Wind all criticised for either containing blackface or problematic representations of race.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in