'Padre Nuestro' and 'Manda Bala' win top Sundance honors
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.The searing immigrant saga "Padre Nuestro," about a Mexican teen's heartbreaking search for his father in America, won the grand-jury prize for best US drama Saturday at the Sundance Film Festival.
"Manda Bala (Send a Bullet)," another Latin American story recounting government corruption and kidnapping in Brazil, earned the grand-jury award in the US documentary competition at the festival, the nation's top showcase for independent film.
"Grace Is Gone," a tear-jerker starring John Cusack as a father who takes his young daughters on a road trip to postpone breaking the news that their Army sergeant mother has been killed in Iraq, won the audience award for favorite US drama as chosen by balloting among Sundance movie-goers.
Writer-director James C. Strouse won the Waldo Salt screenwriting award for "Grace Is Gone."
The US audience award for documentaries went to Irene Taylor Brodsky's "Hear and Now," a portrait of her aging, deaf parents as they undergo risky surgery that could allow them to hear.
Writer-director Christopher Zalla's debut film "Padre Nuestro" is the story of a Mexican youth (Jorge Adrian Espindola) who sneaks into the United States to find the father (Jesus Ochoa) he never met, only to have his identity usurped by a conniving fellow illegal immigrant (Armando Hernandez) he meets along the way.
"Padre Nuestro" followed last year's "Quinceanera" as the second-straight Mexican-immigrant tale to win top dramatic honors at Sundance.
Jason Kohn's "Manda Bala" connects such disparate elements as a frog farm used as a front for money-laundering and a plastic surgeon who works on mutilated kidnap victims to capture the violence pervading life in Brazil.
"Manda Bala" also won the documentary cinematography prize for Heloisa Passos.
The jury prize for world cinema was awarded to the Israeli film "Sweet Mud," director Dror Shaul's narrative of a boy coping with his mother's mental illness on a kibbutz in the 1970s.
The Danish film "Enemies of Happiness," Eva Mulvad and Anja Al Erhayem' award winners for world cinema were given to John Carney's "Once," a drama about an Irish street musician who forges an unusual personal and musical kinship with a Czech woman, and David Sington's British documentary "In the Shadow of the Moon," a chronicle of the Apollo space program.
Watch Apple TV+ free for 7 days
New subscribers only. £8.99/mo. after free trial. Plan auto-renews until cancelled
Watch Apple TV+ free for 7 days
New subscribers only. £8.99/mo. after free trial. Plan auto-renews until cancelled
The US dramatic jury, which included actress Sarah Polley and director Catherine Hardwicke, gave two special acting prizes to Jess Weixler "for a juicy and jaw-dropping performance" as a young woman equipped with a lethal genital mutation in the horror comedy "Teeth"; and Tamara Podemski "for a fully realized physical and emotional turn" as an American Indian whose carefree lifestyle leads her to the brink of tragedy in "Four Sheets to the Wind."
The US documentary jury, which included filmmakers Alan Berliner and Carlos Sandoval, presented a special prize to director Charles Ferguson's "No End in Sight," a study of the Bush administration's handling of the Iraq war. The jury called it a "timely work that clearly illuminates the misguided policy decisions that have led to the catastrophic quagmire of the US invasion and occupation of Iraq."
Among other Sundance honors:
- Directing, US drama: Jeffrey Blitz, "Rocket Science."
- Directing, US documentary: Sean Fine and Andrea Nix Fine, "War/Dance."
- Cinematography, US drama: Benoit Debie, "Joshua."
- Editing, US documentary: Hibah Sherif Frisina, Charlton McMillan and Michael Schweitzer, "Nanking."
- Special jury prize for singularity of vision, US drama: Chris Smith, director, "The Pool."
- Special jury prize, world-cinema dramatic competition: "The Legacy," Gela Babluani and Temur Babluani, directors.
- Special jury prize, world-cinema documentary competition: "Hot House," Shimon Dotan, director.
- Alfred P. Sloan Prize for ideas and issues in science and technology: "Dark Matter," Chen Shi-Zheng, director.
- Jury prize, US short films: "Everything Will Be OK," Don Hertzfeldt, director.
- Jury prize, international short films: "The Tube With a Hat," Radu Jude, director.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments