It: Stephen King adaptation on course to surpass The Exorcist as highest-grossing horror film

It's already overtaken the lifetime gross of William Friedkin's 1973 classic in the US

Thursday 21 September 2017 10:42 BST

IT Trailer 2

Stephen King adaptation It will today become the highest-grossing horror film of all time in the US surpassing The Exorcist.

The film, featuring murderous clown Pennywise (Bill Skarsgard), has enjoyed huge international success since it opened earlier this month. It's new status as 'the king of horror' will see it overtake the lifetime takings amassed by William Friedkin's classic in America since 1973 - $232.9m/£172.5m (Deadline points out that Warner Bros' feat discounts films some may consider horror, namely The Sixth Sense, Jaws and I Am Legend).

Despite the record, It is set to be knocked from the top of the US box office by Matthew Vaughn's spy sequel Kingsman: The Golden Circle starring Taron Egerton, Mark Strong, Julianne Moore and Channing Tatum.

Internationally, Andy Muschetti's horror currently sits at $386m (£286m) which is behind The Exorcist's $441.3m (£327m) - but considering it's managed those takings in just three weeks, it's no stretch to assume It is on its way to becoming the biggest horror film of all time.

Great news for Stephen King on his 70th birthday.

Best horror films of all-time

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1/10Best horror films of all-time

Best horror films of all-time

The Shining

The retailer play.com used a heart rate monitor on film watchers to assess what horror films set pulses racing. The ‘Here’s Johnny’ scene in which Jack Nicholson peers through a hole in a door he has just created with an axe came up on top.

The rest of the film isn’t any less scary as a writer coops his family up in an empty Colorado hotel for the winter.

Stanley Kubrick creates tension at every turn, especially when he follows Danny riding his bicycle along the corridors.

Best horror films of all-time

Rosemary's Baby

Roman Polanski’s adaptation of Ira Levin’s best-seller is the daddy of demon baby movies.

It involves a struggling couple, a pregnant Catholic girl and unemployed actor, played by Mia Farrow and John Cassavetes, who move into an apartment block and are befriended by Satanist.

The occult is scary, but not nearly as evil as Guy’s decision to sacrifice his wife for an acting role.

Polanski’s brilliance is that the horror is not the supernatural but the doubts that brew up in our own minds. Paranoia reigns.

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Best horror films of all-time

Psycho

There is a sense of foreboding even before petty thief Vera Miles checks into the Bates motel.

Then we are introduced to Norman Bates and his Oedipus complex.

The fact that Bates on the surface seems mild-mannered and ordinary only made his transformation scarier. Showers would never be the same, in the must iconic murder scene on celluloid.

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Best horror films of all-time

Blue Velvet

The huge amount of film noir elements in the narrative of David Lynch’s murder tale often see this 1986 American tale overlooked on horror lists.

But this film is aimed to chill and has the aesthetics, pacing and tension of the greatest horror, including severed ears, dwarfs, and the supernatural.

But it’s Dennis Hopper’s Frank Booth that is the clincher, whenever he’s on screen, whether he’s harassing Isabelle Rossellini or encouraging singing, he’s the scariest character that has ever been on-screen.

Best horror films of all-time

Nosferatu - A Symphony of Horror

The granddaddy of the genre, this silent masterpiece, an unauthorised adaptation of the Dracula tale (The Stoker estate won a case ordering all copies of the film destroyed, which was thankfully unenforceable in Germany), sees director FW Murnau establish many of the touchstones of the genre including vampires lusting after blood

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Best horror films of all-time

The Orphanage

The haunted house is a staple of horror movies, especially of American horror.

But it’s this Spanish gem from 2007 that is the scariest of them all. It starts with a mother whose attempts to deal with her childhood inner demons seeking closure by buying the orphanage in which she was born, and taking on the demands of looking after not just her own imaginative adopted son, but six other Orphans.

What ensues is an eerie homage to Jack Clayton’s The Innocents that once again proves that nothing is as scary on film as creepy children.

Best horror films of all-time

Anti-Christ

Lars von Trier’s says it was while he was undergoing cognitive therapy for depression that the idea to make a film exploring the semiotics and tools used by depression came to mind.

Charlotte Gainsbourg and Willem Dafoe play a couple coping with the death of their son.

She cannot belief his response and he hers. The result is a film featuring gender mutilation, talking foxes and where chaos reigns. Booed at Cannes only seems to cement its status.

Best horror films of all-time

Don't Look Now

Adaptations of Daphne du Maurier’s prose have a habit of making great horror films, especially in the hands of Alfred Hitchcock (Birds and Rebecca).

British director Nic Roeg created this masterpiece when he took Maurier’s short story and meshed it with his trademark non-linear approach to the story of parents attempting to come to terms with the death of their young daughter by moving to Venice.

Donald Sutherland and Julie Christie give career best performances in a film that has a clairvoyant, serial killer, but most scary of all, feelings of guilt.

Best horror films of all-time

Suspiria

There are not many directors who have made more horrors than Italian maestro Dario Argento. His 1976 effort Suspiria remains his masterpiece.

An American ballet dancer goes to study in the Black Forest, where she meets a pair of lesbians administrators (Alida Valli and Joan Bennett), a bizarre shrink (Udo Kier, an actor who adds to the terror level of any movie) and discovers that the school was once a notorious witches’ coven.

All this done in piercing Technicolor and a terrific synthesised score.

Best horror films of all-time

Audition

J-Horror (Japanese horror) went through a purple patch at the end of the 90s with Hideo Nakata’s excellent Dark Water follow Ring trilogies.

However, the most chilling film of the era was directed by Takeshi Miike, who makes films like they are cups of morning coffee.

He uses the casting couch as the source of his evil as a friend tries to find a television producer a new wife by hosting a fake casting call.

Miike slowly pulls us into the tale, as we discover dark secrets of both the widower and the actress who has caught his eye.

No such fun for Darren Aronofsky's experimental horror mother! starring Jennifer Lawrence and Javier Bardem. Having failed to reach its box office projections last weekend earning just $8m ($5.9m) in its third week, the film was handed a rare F grade from audiences leading to an official defence of the film from Paramount.

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It: Stephen King adaptation on course to surpass The Exorcist as highest-grossing horror film

It's already overtaken the lifetime gross of William Friedkin's 1973 classic in the US

Thanks for signing up to the
The Life Cinematic email

Best horror films of all-time

Best horror films of all-time

The Shining

Best horror films of all-time

Rosemary's Baby

Best horror films of all-time

Psycho

Best horror films of all-time

Blue Velvet

Best horror films of all-time

Nosferatu - A Symphony of Horror

Best horror films of all-time

The Orphanage

Best horror films of all-time

Anti-Christ

Best horror films of all-time

Don't Look Now

Best horror films of all-time

Suspiria

Best horror films of all-time

Audition

Join our commenting forum

It to overtake The Exorcist as highest-grossing horror film of all tim

Thank you for registering

US EditionChange

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