The Independent's journalism is supported by our readers. When you purchase through links on our site, we may earn commission.
‘The Help’ criticised for ‘white saviour’ tone as it becomes number one movie on Netflix
Viola Davis has said she regrets starring in the film
Your support helps us to tell the story
This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.
The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.
Help us keep bring these critical stories to light. Your support makes all the difference.
The Help has come under renewed criticism after becoming the most watched movie on Netflix in the US.
The 2011 film was added to the streaming platform’s catalogue on 1 June.
By Wednesday 4 June, it had become the number one film on the US website, and it was the sixth most watched programme across both film and TV.
This increase in popularity prompted several Twitter users to point to the film’s “white saviour” tone, suggesting that other films would be more useful to people looking to educate themselves about racism.
The Help tells the story of a white woman who sets out to write a book told sharing the point of view of black maids in the Sixties in Mississippi.
Viola Davis, one of the film’s stars, has said she regrets accepting a role in it due to the way the story is told.
“I just felt that at the end of the day that it wasn’t the voices of the maids that were heard,” she told The New York Times in 2018.
“I know Aibileen. I know Minny [two maids in the film]. They’re my grandma. They’re my mom. And I know that if you do a movie where the whole premise is, I want to know what it feels like to work for white people and to bring up children in 1963, I want to hear how you really feel about it. I never heard that in the course of the movie.”
Twitter users appeared to echo Davis’s impressions, with one person writing: “The Help is a great movie, but when will we stop giving white-saviour films the most. And the fact that this movie is actually trending let’s me know that y’all have a f***** up idea of who saves who.”
“The Help is about white saviour complex but y’all aren’t ready to have that conversation,” another person commented.