Disney remakes have made more than $7bn since 2010
So it’s all your fault that many more are coming
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Disney’s decision to mine their animated back catalogue for live-action or photo-realistic remakes over the past decade has been a fruitful one, with a report declaring that they have collectively grossed over $7 billion dollars since 2010.
According to Forbes, 2019 blockbusters The Lion King and Aladdin have cemented an incredibly lucrative remake boom, surviving middling reviews to gross a billion dollars each worldwide. Both also look set to become the most successful entries in the Disney remake canon.
Tim Burton’s Alice in Wonderland, released in early 2010, kicked off the Disney remake boom, with successive hits including the Emma Watson-lead Beauty and the Beast, Jon Favreau’s The Jungle Book and the Sleeping Beauty origin story Maleficent. Only Burton’s Dumbo, released in March, along with his 2016 Alice in Wonderland sequel Alice Through the Looking Glass, have underperformed.
Forbes has also reported that Disney’s remake success has contributed to their best-ever year at the global box office, with the company already grossing an enormous $7.6 billion thanks to smashes like Avengers: Endgame, Captain Marvel and Toy Story 4. This will inevitably increase, too, with Star Wars: The Rise of Skywalker and Frozen 2 both awaiting release before the end of 2019.
Disney shows no signs of slowing down on the remake front either, with both the Maleficent sequel Mistress of Evil arriving in October, and a live-action remake of Mulan released in 2020. Cruella, an origin story for the 101 Dalmatians villainess starring Emma Stone, will additionally soon begin filming, as will a live-action remake of The Little Mermaid starring Halle Bailey, Melissa McCarthy and (allegedly) Harry Styles.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments