Movies You Might Have Missed: Mel Brooks' High Anxiety
The parody of Alfred Hitchcock films is a loving homage as much as a pastiche and one that Hitchcock himself saw and approved of
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.When the history books are written, Mel Brooks might just be considered the greatest American humourist of the last century. Having honed his craft at various Borscht Belt resorts in the Catskills, Brooks took a job on the legendary Sid Caesar vehicle Your Show of Shows alongside other fledgling writers like Woody Allen and Neil Simon. With Carl Reiner, he released a string of comedy albums as The 2000 Year Old Man, a work that would be the crowning achievement of just about any other comic one could care to name. For Brooks, however, that honour belongs to the stretch of films he made at the start of his career, from The Producers in 1968 to High Anxiety in 1979.
While the director has undoubtedly produced some gems since High Anxiety, it is probably fair to say his parody of Alfred Hitchcock movies marks the end of the golden period. Like Blazing Saddles and Young Frankenstein before it, High Anxiety works because it is a loving homage as much as a pastiche. Indeed, Brooks held a private preview for Hitchcock to see his reaction. Ever the showman, the master of suspense walked out without a word once the screening was over leaving the younger auteur fearing the worst. Days later, Hitchcock sent Brooks a congratulatory case of wine and a note reading, “A small token of my pleasure, have no anxiety about this.” It is little wonder that the film is dedicated to Hitchcock.
The plot concerns Dr Richard Thorndyke (Brooks) and his role as the new administrator of the Psycho-Neurotic Institute for the Very Very Nervous. There have been suspicious goings-on and things go from bad to worse when our hero is framed for murder and must confront his own psychiatric condition, “high anxiety” if he is to clear his name. Brooks’ regulars Madeline Kahn, Cloris Leachman and Harvey Korman all excel in this glorious send-up of Vertigo, Psycho, The Birds et al.
Hitchcock actually had one inspired suggestion of his own. He proposed a scene in which the killer would chase Thorndyke to the harbour, where the hero would try to escape by taking a running jump onto a boat in the water only to realise that the boat was pulling into the docks rather than away from them. Brooks adored the idea but budgetary constraints meant it was never filmed. It is proof, however, that Hitchcock knew a thing or two about comedy and his positive appraisal of this classic spoof was spot on.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments