Film: velvet goldmine (18)

Stephen Applebaum
Friday 23 October 1998 23:02 BST
Comments

Your support helps us to tell the story

This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.

The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.

Help us keep bring these critical stories to light. Your support makes all the difference.

Cork-born newcomer Jonathan Rhys Meyers explodes into the limelight this week with three movies, including Todd Haynes's eagerly-awaited glam-rock epic, Velvet Goldmine (above). Technically masterful but cold, this is less a historical document than a wet dream inspired by the glam scene in Britain, circa 1971.

Rhys Meyers plays the flamboyant, Bowie-esque Brian Slade, while Ewan McGregor is his trouser-dropping, Iggy Pop-inspired lover. Their relationship, like so much of the film, is pure fantasy. But that, Haynes would argue, is the point: glam thrived on blurring lines - male/female, reality/appearance, past/present - and it is this aspect which he is exploring and representing.

Judging by the polarised reactions to the film, he has also blurred the distinction between masterpiece and curate's egg. You decide.

On general release

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in