Edinburgh Festival '99: Diary - Al Murray - comedian

Al Murray
Sunday 15 August 1999 23:02 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

THIS YEAR is my 10th Fringe Festival in 12 years (the other two years I had a life or something). It sounds like a lot but there are people who have been coming since the dawn of time. And that's the thing about the Fringe, it never changes. Oh, it gets bigger and busier and more successful, but so many people just go on and on about how it isn't what it was. The first week you can't move for people saying it needs more grass roots opera workshops. Then there is the usual refrain that comedy has got "too big" - whatever that means - as if the audience has somehow made the rather dreadful and ill-informed decision to go out and have a laugh, poor lost souls. This argument always fails to address the fact that the Tattoo is the only show in Edinburgh that sells out from start to finish.

This strikes me as a terrible shame. The Fringe is a bastion of meritocracy, you pay your Fringe fee and then you're in. It doesn't matter what you do, there you are, part of the greatest show on earth. People put on Look Back In Anger with 18 year olds and don't sell a single ticket. But they just don't care. They go to the Festival out of love, hoping for a shot at the title role.

That's what never changes about it and that's why I'm here again this year.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in