Sam Fletcher: Good on Paper, Bannerman's Free Fringe, Edinburgh

 

Alice Jones
Friday 24 August 2012 11:19 BST
Comments
Sam Fletcher
Sam Fletcher

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

In a dank back room of a pub, in an unlovely daytime slot on the Free Fringe, Sam Fletcher has created a tiny world of wonder. It's a delight to spend an hour there.

A newcomer to the scene - he has previously had comedy parts in Shameless and Ideal and is better known to stand-up fans as Fletch, Tim Key's put-upon show technician - he turns out to be a natural. Charismatic and utterly at ease, he has the room on side even before his first routine, a masterful piece of air-drumming.

The air-drumming is a good place to start, in fact, as it is a simple idea done extremely well. The rest of the show - a lo-fi, high-quality carnival of visual jokes, magic, Dad jokes and Heath Robinson-style useless inventions - follows the pattern. It's an uplifting hotch-potch, packed with content, which brings to mind the easy charm of Josie Long's early shows, underpinned with the rigour of Tim Key.

There's the slightest of sags before the final, remarkable, set of illusions but this is a lovely, lovingly wrought show from the Best Newcomer nominee. Put simply, no other show has made me smile so much this year.

To 25 August (www.freefringe.org.uk)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in