Kieran & the Joes in Success: a Success Story, Leicester Square Theatre, London

Julian Hall
Thursday 13 January 2011 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Three young men wearing white shirts and ties acting out themed scenes while their relationship dynamic changes through petty jealousies and annoyances sounds par for the course for the sketch genre, but there's enough of a twinkle in the eyes of performers Kieran Hodgson, Joe Parham and Joe Markham, and in the lines crafted by the cast and co-writer Tom Meltzer, that make this show a little above the average fare.

The trio lead ineffectual business-style seminars on achieving winning ways in just about any walk of life from job interviews to dating. Reflecting a generation who have come face to face with the unashamed bravado of The Apprentice the troupemock the idea of enthusiasm over experience and knowledge.

Confidence alone can make you a surgeon suggests a two-hander sketch from Markham and Hodgson, so much so that when the latter offers the former a scalpel he has to be reminded he can't decline that tool of the trade ("No, you do need that!") even if the normal seven-year training period has been glossed over.

Parham looks on incredulously at this scene as he does at many points in the show, though while his character finds himself squeezed by the other two he's the focus of much of much of the show's energy. At one point, Parham carefully pushes a sketch about dream jobs to the border of interminable, playing with silence before he reveals a sexual desire towards Hodgson.

Latent homosexuality is, of course, a familiar sketch ruse but the show uses tried-and-tested methods with fleet of foot that help push past bog-standard moments or over-exuberant skits including one about parenthood for which the zany physical pay-off is shaded by its verbal introduction that runs: "Successful parenthood is nothing to do with children but everything to do with how you make other parents feel."

Tonight (0844 873 3433)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in