Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Sadly, the saxophone is rarely present in classical orchestral surroundings. Indeed, three of the five pieces performed here by Cretan saxophonist Theodore Kerkezos with the LSO were commissioned in the early 1900s by sax evangelist Elise Boyer Hall, in a bid to create a repertoire for the instrument.
Debussy's Rapsodie Pour Orchestre Et Saxophone Solo drew on Parisian street vendors' cries for some motifs, investing the material with an urban bustle, though it was also infused with a Moorish flavour – a blend of the exotic and the urbanewhich also found in Tomasi's Concerto Pour Saxophone Et Orchestre and Schmitt's Légende, and indicative of the bohemian hauteur which is the instrument's dominant characteristic in a classical context.
DOWNLOAD THIS Rapsodie Pour Orchestre Et Saxophone Solo; Légende
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments