Album: Rameau, Les Indes Galantes/Christophe Rousset, (Ambroisie)
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Paris took its own sweet time to warm to Les Indes Galantes. Second of Rameau's operas to be staged (Samson was never performed), this dazzling, improbable fantasy was revised five times between 1735 and 1761, when the Jean-Henri Hemsch harpsichord used in this recording was built. Rameau's keyboard transcription inevitably sounds thin and unidiomatic, though Rousset's rhythmic acuity and sensual phrasing are impressive. A movement-by-movement guide to the Grand Concerts is illuminating.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments