Album: Monteverdi, Sweet Torment – I Fagiolini etc, (Chandos)
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.I Fagiolini's Monteverdi series continues with another fascinating and faultlessly executed programme of scherzi and accompanied and unaccompanied madrigals from 1605-1638.
The range of effects is startling: from the dazed idée fixe of "T'amo, mia vita!" (1605) to the bouyant ground bass of "Zefiro torna" (1632), here brilliantly animated by chitarrone, harp and harpsichord. Most exciting, however, is the group's reading of "Ballo delle Ingrate" and Barokksolistene's sullen dance for the damned.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments