Album: Brahms, Symphonies 1 and 2 – LPO/Jurowski (LPO)

Anna Picard
Sunday 31 January 2010 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Performance style in Brahms has lately become as hotly contested an issue as it once was in Bach, with Mackerras arguing for impetuous speed changes and Gardiner so busy identifying thematic strata that the topography is blurred.

With lithe tempi, long, beautifully articulated phrases and judicious application of rubato, Vladimir Jurowski allows the plush sound of the LPO space to resonate. Recorded live, this crackles with contrapuntal vigour without losing gravitas. Breathtaking.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in